Welcome to the online booking site for the Savoy Cinema, Nottingham.
Click on a film time below to book tickets.
* Special charity fund raising screening *
Back to the Future begins in the present a la 1985, with a teenager named Marty (Michael J. Fox) whose parents are hopeless nerds. All that keeps Marty sane is his friendship with the nutty Dr. Brown (Christopher Lloyd), an inventor. Brown believes he has discovered the secret of time travel, and one night in the deserted parking lot of the local shopping mall, he demonstrates his invention. In the long history of time travel movies, there has never been a time machine quite like Brown's, which resembles nothing so much as a customized De Lorean. The gadget works, and then, after a series of surprises, Marty finds himself transported back 30 years in time, to the days when the shopping mall was a farmer's field. Marty wanders into town, still wearing his 1985 clothing, and the townsfolk look at his goose down jacket and ask him why he's wearing a life preserver. One of the running gags in Back to the Future is the way the town has changed in 30 years. But a lot of the differences run more deeply than that, as Marty discovers when he sits down at a lunch counter next to his Dad - who is, of course, a teenager himself.
Probably the most popular opera in the world. Carmen scandalised its earliest audiences with its raw depiction of lust in 19th-century Seville. In ENO's popular production, the action is a full-on battle of the sexes, fought out in the arena of the Spanish bullring.
|Wednesday 1 Jul 2015||19:30|
On the occasion of his fifth wedding anniversary, Nick Dunne reports that his wife, Amy, has gone missing. Under pressure from the police and a growing media frenzy, Nick's portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife?
An exclusive gala screening of the highly anticipated new feature HOCKNEY, followed by an in-depth conversation with David Hockney from his Los Angeles studio, broadcast live into cinemas.
A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
A stunning production of Verdi's masterpiece which reaches to the heart of the opera's themes of passionate love and tragic death. The production is ideal for newcomers to opera with its contemporary staging, and a running time of less than two hours.
|Wednesday 11 Mar 2015||19:30|
Contains Adult Themes, Strong Language & Nudity. Suitable for 18 Years & Older
Internationally renowned DV8 Physical Theatre bring their powerful new production to the National Theatre.
DV8 Physical Theatre has produced 18 highly acclaimed dance-theatre works and four films for television, which have garnered over 50 national and international awards.
The company’s new production, JOHN, authentically depicts real-life stories, combining movement and spoken word to create an intense and moving theatrical experience.
Lloyd Newson, DV8’s Artistic Director, interviewed more than 50 men asking them frank questions, initially about love and sex. One of those men was John.
What emerged was a story that is both extraordinary and touching. Years of crime, drug use and struggling to survive lead John on a search in which his life converges with others, in an unexpected place, unknown by most.
Don’t miss this eagerly anticipated new production, broadcast live from the National Theatre.
Robert Louis Stevenson’s story of murder, money and mutiny is brought to life in a thrilling new stage adaptation by Bryony Lavery, broadcast live from the National Theatre.
It’s a dark, stormy night. The stars are out. Jim, the inn-keeper’s granddaughter, opens the door to a terrifying stranger. At the old sailor’s feet sits a huge sea-chest, full of secrets. Jim invites him in – and her dangerous voyage begins.
|Thursday 22 Jan 2015||19:00|
|Wednesday 18 Feb 2015||17:00|
Meera Syal (The Kumars, Goodness Gracious Me, Rafta Rafta at the National) returns to the National Theatre, directed by Rufus Norris (Broken, London Road).
Pulizter Prize-winner Katherine Boo spent three years in Annawadi recording the lives of its residents. From her uncompromising book, winner of the National Book Award for Non-Fiction 2012, David Hare has fashioned a tumultuous play on an epic scale.
India is surging with global ambition. But beyond the luxury hotels surrounding Mumbai airport lies a makeshift slum, full of people with plans of their own. Zehrunisa and her son Abdul aim to recycle enough rubbish to fund a proper house. Sunil, twelve and stunted, wants to eat until he's as tall as Kalu the thief. Asha seeks to steal government anti-poverty funds to turn herself into a 'first-class person', while her daughter Manju intends to become the slum's first female graduate.
But their schemes are fragile; global recession threatens the garbage trade, and another slum-dweller is about to make an accusation that will destroy herself and shatter the neighbourhood.
|Thursday 12 Mar 2015||19:00|
Academy Award® nominee Ralph Fiennes (The English Patient, Schindler's List; Oedipus at the National Theatre) plays Jack Tanner in this exhilarating reinvention of Shaw's witty, provocative classic.
A romantic comedy, an epic fairytale, a fiery philosophical debate, Man and Superman asks fundamental questions about how we live.
Jack Tanner, celebrated radical thinker and rich bachelor, seems an unlikely choice as guardian to the alluring heiress, Ann. But she takes it in her assured stride and, despite the love of a poet, she decides to marry and tame this dazzling revolutionary.
Tanner, appalled by the whiff of domesticity, is tipped off by his chauffeur and flees to Spain, where he is captured by bandits and meets The Devil. An extraordinary dream-debate, heaven versus hell, ensues. Following in hot pursuit, Ann is there when Tanner awakes, as fierce in her certainty as he is in his.
|Thursday 14 May 2015||19:00|
Acclaimed playwright Tom Stoppard (Shakespeare in Love, Arcadia, Rosencrantz and Guildenstern are Dead) returns to the National Theatre with his highly-anticipated new play The Hard Problem, directed by Nicholas Hytner (Othello, Hamlet, One Man, Two Guvnors).
Hilary, a young psychology researcher at a brainscience institute, is nursing a private sorrow and a troubling question at work, where psychology and biology meet. If there is nothing but matter, what is consciousness? This is 'the hard problem' which puts Hilary at odds with her colleagues who include her first mentor Spike, her boss Leo and the billionaire founder of the institute, Jerry. Is the day coming when the computer and the fMRI scanner will answer all the questions psychology can ask? Meanwhile Hilary needs a miracle, and she is prepared to pray for one.
|Thursday 16 Apr 2015||19:00|
NATIVITY 3 DUDE, WHERE'S MY DONKEY?! is a children's Christmas story about a man who loses his memory and must rely on his daughter and other schoolchildren to remind him about Christmas and his impending wedding.
Now in its 4th
|Wednesday 31 Dec 2014||16:30|
Guaranteed to be a major event, Mike Leigh (Palme d'Or winner and five times Oscar nominee) directs his first ever opera for the stage. Gilbert and Sullivan's popular comic opera features much-loved favourites including A Policeman's Lot is Not a Happy One and I am the Very Model of a Modern Major General.
The most popular opera of all returns in one of The Royal Opera's best loved stagings, regularly revived since its opening night in 1974 - and now being seen for the very last time. John Copley's keen stagecraft and loving attention to period and dramatic detail make his production a masterpiece of realism, while Julia Trevelyan Oman's designs evoke the atmosphere of 19th-century Paris. Several of today's greatest opera stars return to bid farewell to this sublime staging, notably Anna Netrebko as Mimì, and Joseph Calleja as her lover, Rodolfo. Israeli conductor Dan Ettinger conducts one of Puccini's most emotional and melodious scores, in a revival that promises to go down in Royal Opera history.
|Wednesday 10 Jun 2015||19:15|
Christopher Wheeldon's full-length ballet based on Lewis Carroll's book is an exuberant piece of storytelling featuring an instantly recognizable cast of characters, among them a tap-dancing Mad Hatter, a tetchy White Rabbit and a raucously bad-tempered Queen of Hearts.
Wheeldon, along with composer Joby Talbot and designer Bob Crowley, have created a genuine family ballet in the spirit of Carroll's much-loved children's classic. While regular ballet goers can appreciate nods to other famous works - there's a parody of the Rose Adagio from The Sleeping Beauty, for example, with jam tarts instead of flowers - the ballet is above all a brilliant realization of Carroll's zany dream-world featuring stunning choreography, a colourful score and ingenious stage-magic..
Umberto Giordano's Andrea Chénier (1896) presents a fictionalized account of the last years of the French poet André Chénier, guillotined during the Reign of Terror in 1794. It is the greatest of Giordano's operas, and shows why Puccini sometimes feared Giordano as a rival. Taking the starring role of Chénier, with its three marvellous arias, is Jonas Kaufmann, Dutch soprano Eva-Maria Westbroek sings the role of Chénier's beloved Maddalena (which includes the great aria 'La mamma morta', a favourite with Maria Callas) and Serbian baritone Željko Lu?i? stars as Carlo Gérard - the servant-turned-revolutionary who is Chénier's rival for the love of Maddalena. With a string of successful productions for The Royal Opera to his name, including Rigoletto and Les Troyens, director David McVicar brings Giordano's thrilling historical drama back to the Royal Opera House for the first time since 1985 in a stunning new production.
|Thursday 29 Jan 2015||19:15|
Wagner's first masterpiece explores the themes of damnation and redemption that would fascinate the composer throughout his career. In this tale of a captain forced to sail the seas for eternity unless released by the faithful love of a good woman, and the lonely girl who longs to save him, Wagner created two unforgettable characters operating near the limits of human emotion. Tim Albery's atmospheric 2009 modern-dress staging provides an ideal platform on which Bryn Terfel's turbulent Dutchman and Adrianne Pieczonka's visionary Senta will explore their passions and struggle to find salvation in a hostile world. Admired for his Wagner interpretations with the CBSO and at Bayreuth, Andris Nelsons returns to steer the orchestra through Wagner's stormy score.
Opening with what is arguably the most exciting of all operatic overtures, Rossini's final opera helped to lay the foundations of the genre of French grand opéra that dominated European stages throughout the mid-19th century. The opera's theme is liberty, as exemplified in the struggle against Austrian occupation led by the Swiss archer and patriot Guillaume Tell: in the opera's most famous scene, Tell shoots an apple from his son's head, a feat that inspires his countrymen to revolt. Rossini's score is one of his most outstanding, and packed with glorious arias, choruses and ensembles, as those who have heard Antonio Pappano's admired recording - which also features Gerald Finley (Tell), John Osborn (Arnold) and Malin Byström (Mathilde) - will know. The exciting young Italian director Damiano Michieletto makes his debut with what promises to be a spectacular and thought-provoking production.
Donizetti’s romantic comedy of rural life shines brilliantly in Laurent Pelly’s hilarious
staging, which matches the piece’s perfect blend of sentiment and tomfoolery. Italian
conductor and former Jette Parker Young Artist Daniele Rustioni conducts a starry cast.
Lucy Crowe takes the dazzling soprano lead as Adina, the most sophisticated woman in
the village, loved from afar by Vittorio Grigolo’s handsome but shy Nemorino. Nemorino
meets a worrying rival in Levente Molnár’s braggart Sergeant Belcore, until the love potion
sold to him by Bryn Terfel’s larger-than-life travelling quack, Dr Dulcamara, gives him a
powerful dose of courage – with both comic and touching results.
|Wednesday 26 Nov 2014||19:15|
Frederick Ashton's final full-length ballet is one of his most joyous creations, inspired by his love for the Suffolk countryside. It is based on an 1828 French ballet and the music was adapted by John Lanchbery from Ferdinand Hérold's original score. La Fille mal gardée was a resounding success on its premiere in 1960 and has remained a firm favourite in The Royal Ballet's repertory. The title translates as 'The Wayward Daughter'.
La Fille displays some of Ashton's most virtuosic choreography - the youthful passion of Lise and her lover, Colas, is expressed in a series of energetic pas de deux. The ballet is laced with good humour and a whirl of dancing chickens, grouchy guardians and halfwit suitors take to the stage. Ashton affectionately incorporated elements of national folk dance into his choreography, from a Lancashire clog dance to a maypole dance, making La Fille mal gardée (despite its title) The Royal Ballet's most emphatically English work. Osbert Lancaster's colourful designs reinforce the robust wit of the production.
A major work from the remarkable partnership of playwright and poet Bertolt Brecht and composer Kurt Weill, Mahagonny was first performed in Leipzig in 1930. Its first ever Royal Opera staging, by Associate Director of Opera John Fulljames, is sung in English,and conducted by Mark Wigglesworth - recently announced as the successor to Edward Gardner as Music Director of English National Opera. Mahagonny is a satire on money, morality and pleasure-seeking among the dubious citizens of a fictional city. The richly varied, jazz-infused score, influenced by ragtime music, includes such irresistible melodies as the 'Alabama Song' and many dramatic ensembles. The superb cast includes Kurt Streit as the wild lumberjack Jimmy, Christine Rice as his sweetheart Jenny, Anne Sofie von Otter in a welcome return to The Royal Opera as the cunning Leokadja Begbick, and Peter Hoare and Willard W. White as her helpers and fellow-fugitives Fatty and Moses.
|Wednesday 1 Apr 2015||19:15|
Swan Lake, surely the greatest of all Romantic ballets, is the captivating story of a beautiful woman transformed into a swan, and a heart-rending tribute to the power of love. Swan Lake is a perfect synthesis of choreography and music and, though Tchaikovsky did not live to see it become a success, his first ballet score is now synonymous with ballet itself, inspiring generations of dancers and crossing over into popular culture.
From the earliest days of the Vic-Wells Ballet, Swan Lake has been one of The Royal Ballet's signature works. In creating this production, Anthony Dowell aimed to return to an authentic version of the choreography created by the great Marius Petipa and Lev Ivanov for the Mariinsky Theatre in 1895. Yolanda Sonnabend's designs draw on the Russian Imperial Court of that period with an inspired blend of historical accuracy and gothic fantasy. The court scenes of Acts I and III have a dark glamour rooted in the opulent style of Carl Fabergé, while the famous lakeside 'white' acts are rich with mist, shadow and moonlight.
Follows lonely bartender Bob Saginowski through a covert scheme of funneling cash to local gangsters - "money drops" - in the underworld of Brooklyn bars. Under the heavy hand of his employer and cousin Marv, Bob finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
Bilbo and Company are forced to be embraced in a war against an armed flock of combatants and the terrifying Smaug from acquiring a kingdom of treasure and incinerating all of Middle-Earth.
|Thursday 11 Dec 2014||00:05 (Fri)|
Katniss Everdeen is in District 13 after she shatters the games forever. Under the leadership of President Coin and the advice of her trusted friends, Katniss spreads her wings as she fights to save Peeta and a nation moved by her courage.
Based on the real life story of legendary cryptanalyst Alan Turing, the film portrays the nail-biting race against time by Turing and his brilliant team of code-breakers at Britain's top-secret Government Code and Cypher School at Bletchley Park, during the darkest days of World War II.
RICHARD ARMITAGE stars in Arthur Miller's classic American drama, based on Salem's infamous witch trials, brought vividly to life in this visceral new production by internationally acclaimed director, Yaël Farber.
In a small tight-knit community in Salem, Massachussetts, personal grievances collide with lust and superstition, fuelling widespread hysteria. Miller's timeless parable attacks the evils of mindless persecution and the terrifying power of false accusations.